“顧紹驊的詩情畫意”入選美國集郵集團出版的《世界杰出華人藝術家郵票紀念珍藏冊》
-------為“顧紹驊的詩情畫意”正名
“Gu Shaohua's poetic Chinese painting” Be selected by theAmerican philatelic group, the world's outstanding Chinese artists StampCollection
------To "Gu Shaohua's poetic Chinese painting" applause
感謝美國集郵集團中國藝術顧問路曉文老師的慧眼識珠，“顧紹驊的詩情畫意”作品入選由美國集郵集團出版的《世界杰出華人藝術家郵票紀念珍藏冊》；使得“顧紹驊的詩情畫意”成為國家名片，在美國、英國、法國、荷蘭等國家流通、流動著。
Thanksto the American philatelic group China art consultant Lu Xiaowen teacher Havethe discerning eye, "Gu Shaohua's poetic Chinese painting" selectedworks published by the American philatelic group "world outstandingChinese artist commemorative stamps collection book"; "Gu Shaohua'spoetic Chinese painting has become a national" name card, flowing in theUnited States, Britain, France, Holland, etc. the national circulation.
各個畫種都有自己的特點，而代表中國民族文化的中國畫是“形而上”（不以形質(zhì)好壞，為評價標準）的；中國畫之根在中國國學。我們應該摒棄以西方評價體系評判中國畫；
Eachpainting has its own characteristics, and on behalf of the national cultureChina China painting is "Beyond material limit" (not to form qualityevaluation standard); Chinese painting roots in Chinese Ancient ChineseLiterature Search. We should abandon the western evaluation system to judgeChinese painting;
顧紹驊認為：中國畫的發(fā)展必須依照“中國方式”——集中國傳統(tǒng)文化底蘊（詩、書、畫）為一體的觀點——“詩情畫意”是中國畫的靈魂和中國畫發(fā)展方向!
Gu Shaohua said: the development of Chinesepainting must be in accordance with the "China" - in Chinatraditional culture (poetry, calligraphy, painting Chinese) as one of the"poetic Chinese painting" - is China painting soul and China paintingdevelopment direction!
中國畫的特征是托物言志，借物抒懷；因此，“言志、抒懷”是中國畫表現(xiàn)的中心，也是“顧紹驊的詩情畫意“作品的最大亮點：
The feature of Chinese painting is With objectivethings To express Ambition, Borrow Shuhuai; therefore, "expressingfeelings," is Chinese painting center, "Gu Shaohua's poetic Chinesepainting is the biggest highlight of works":
1、中國畫的特性：托物言志，借物抒懷；這一特性有別于眾多美術品。“顧紹驊的詩情畫意”做到了“一詩一畫、一畫一境界”；這樣富含中華傳統(tǒng)文化（詩、書、畫）于一體，使得“顧紹驊的詩情畫意”作品鶴立雞群；“顧紹驊的詩情畫意”是根據(jù)創(chuàng)作的畫面意境，來集古詩詞句，“填新詩”這種將詩、文、書、畫結(jié)合的創(chuàng)作方法是顧紹驊在繼承傳統(tǒng)的基礎上，出新的“綜合藝術”，他突顯了“圖文并茂”（使得藝術品白話解釋）。
1, the characteristics of Chinese painting: Withobjective To express Ambition, Borrow Shuhuai; this feature is different frommany fine arts. "Gu Shaohua's poetic Chinese painting" A poem and"to a painting, A picture of a state"; this is rich in traditionalChinese culture (poetry, calligraphy, painting Chinese) in one, making "GuShaohua's poetic Chinese painting Gu Shaohua's poetic works stand head andshoulders above others; Chinese painting" is based on the creation ofartistic conception. A large collection of ancient poetry, "this will fillthe new poetry" poetry, literature, calligraphy, painting Chinese writingmethod, Gu Shaohua is on the basis of inheriting the tradition, the new"art", he highlighted the "illustrated" (the art ofvernacular interpretation).
２、藝術品理應“有故事”（與影視劇一樣有教化功能：勸人向善、愛國向上等）；一件藝術品需要彰顯獨特的藝術個性，具有時代精神，催人向上或積極進??；不是簡單地“對客觀事物的描摹中”，否則，藝術品的價值等同于“數(shù)碼照片”（甚至于沒有數(shù)碼照片的“清晰度”）?！櫧B驊的藝術感悟 （陳逸飛沒有什么收藏價值）
2, art should be "story" (with TV dramaas a function of Education: to persuade people to do good, patriotic andupward); a piece of art to highlight the unique artistic personality, with thespirit of the times, inspire people upward or aggressive; instead of a simple"objectivethings tracing", otherwise, art the value of the equivalentof "digital photos" (or even no digital photos of the"definition"). Gu Shaohua's artistic perception (Chen Yifei haslittle value for collection)
3、藝術應該由“循規(guī)蹈矩”——學習、繼承，到“無中生有”——創(chuàng)作、創(chuàng)新；且，創(chuàng)作、創(chuàng)新是在學習、繼承的基礎之上得到的?！邦櫧B驊的詩情畫意”作品，正是在學習、繼承的基礎之上的作品。A、沒有文化特色——中華傳統(tǒng)文化底蘊的“中國畫”（只有技法，沒有思想），只配稱為工藝品，而不能稱為藝術品；這也是藝術家與畫匠的區(qū)別所在。B、唐代書法家李邕說：“學我者死，似我者俗”。藝術貴有自己的風格，完全亦步亦趨地學人家是沒有出息的。正如現(xiàn)在的絕大多數(shù)書畫作品,"千人一面",看似漂亮外貌,實則廢紙一張。（陸儼少:何為好畫的標準？ ）
3, art should be "-- learning, inheritance,too observant of conventional standards." to "Out of thin air" -creation and innovation; and, creation and innovation is obtained on the basisof the study, Inherit tradition. "Gu Shaohua's poetic painting"works, it is in the study, Inherit tradition based on the works of Chinese. A,no culture -- Chinese painting the traditional Chinese culture "("only techniques, no thought, only) sort of crafts, and can not be called art;this is the difference between the artist and painter. B, the Tang Dynastycalligrapher Li Yong said: "The people who learn from me will be rigid, acopy of my people will fall into the stereotypes." Art has its own style,Completely according the style of others, is not promising artistic to. As nowthe vast majority of calligraphy and painting works, "One thousand thesame face", seemingly beautiful appearance, but actually a piece of paper.Lu Yanshao: what is the standard of good painting?
4、“詩情畫意”是根植在中國人“骨子”里面的文化情結(jié)。中華傳統(tǒng)文化底蘊中是很注重“德行”的，如：“厚德載物”、“厚德載?！薄暗虏偶?zhèn)洹薄ⅰ暗赂咄亍?、“德厚流光”等等；因此，“順利”與“德行”是分不開的，“德行”越高的人，他就越順利。我把這些最能反映中華傳統(tǒng)文化精髓——經(jīng)典的詩（詞）句，融入我的作品里；這是因為我的理念是，作為中國畫家應該是具備有“書、畫、詩、文”的基本功。只是因為中國畫是能反映中國傳統(tǒng)文化的“綜藝體”。
4, "poetic Chinese painting" is rooted in the Chinese "bones"inside the cultural complex. The traditional Chinese culture is very focused on"Virtue", such as "social commitment", "" haveboth ability and political integrity "," great virtue carrieshappiness with it "," Dehouliuguang "of noble character and highprestige" and so on; therefore, "smooth" and "Virtue"is inseparable, "Virtue" more people, the more he successfully. Ihave the most can reflect the essence of Chinese traditional culture, classicalpoem, into my work; this is because my idea is, as Chinese painter should havea "calligraphy, painting, poetry, literature China" basic skills.Just because Chinese painting is a reflection of Chinese traditional culture,"The of the art body synthesis together".
5、2012年，“顧紹驊的詩情畫意”作品被求是論壇（中共中央理論權(quán)威）推薦收入中華人民共和國國史網(wǎng)。（顧紹驊是唯一獲此殊榮的書畫家）
5, 2012, "Gu Shaohua's poetic Chinese paintingor painting" (Theoretical authority of the CPC Central Committee)recommended income People's Republic of China history network. (Gu Shaohua isthe only painter who won the prize)
6、A、中國畫之所以能為大眾接受，是因為它的人性指歸的“至善”。既然是養(yǎng)心修身之術，誰都不會排斥，是人性的需要。宋人面對山水，可游可居、可靜心暢神，坐游萬里、精騖八極，進而進入一種恬淡虛無，精神內(nèi)守的狀態(tài)，也即“入靜”的狀態(tài)。老子說：“靜勝躁，寒勝熱，清凈以為天下正。致虛極，守靜篤。萬物并作，吾以觀復。”中國畫就是讓人靜下來的藝術，它不表現(xiàn)戰(zhàn)爭，不表現(xiàn)血腥，不表現(xiàn)暴躁，也極少表現(xiàn)焦慮。它追求至靜至遠，調(diào)和天人合一。這種藝術觀念源自老子思想，無所謂消極積極。歷代畫論稱之為“標格特出”或“標致特出”，人們一看，會感覺它完全跳出來了，超塵絕俗。這與是否工筆或?qū)懸鉄o關，與題材、體裁、形制、手法也無關，是效果，浸透著精神內(nèi)涵的一種效果。仇英畫得雖好，但不能稱作“逸”，是妙品，有的可稱神品。陳老蓮是“逸”，八大是“逸”，石濤略顯粗糙，也是“逸”。他的畫作在“筆精墨妙”上要打點折扣。B、歐陽修《盤車圖》曰：“古畫畫意不畫形，梅詩詠物無隱情。忘形得意知者寡，不若見詩如見畫?！蹦軌颉巴蔚靡狻笔呛苌俚模馐谴蟾?，但又是精神實質(zhì)。C、（中國畫）要把自己提升成有文化的、有有境界感的，有操守的人，才能進入中國畫。中國畫對畫家有人文要求，要“人”、“文”雙修。對欣賞者的要求同樣也要有“文”，“文”是進入中國畫創(chuàng)作和欣賞的門檻，也是溝通畫家和社會的橋梁。D、中國畫啟示人養(yǎng)心修身，知世悟道。孔子說“見山思仁，見水思智”，醉心于看畫人遠離勢利，離善境更近。一時達不到，但能使人向而往之。“成教化、助人倫”，是藝術的社會功用。而最大的“教化”與“人倫”便是向善。E、傳統(tǒng)中國畫一從思想入，二從書法入，中國畫家一生都重涵養(yǎng)，是養(yǎng)出來的。中國畫重藏不重顯、重涵不重露，就是哲學觀使然。F、觀畫然，觀人亦然。美在皮表，一覽無馀，情致淺而意味淡；故初喜而終厭。美在其中，蘊藉多致，耐人尋味，畫盡意在；故初平平而終見妙境。
6, A, Chinese painting for thepublic to accept, because it is human nature return "Very friendly".Since it is Making good people, to increase knowledge, who will not beexcluded, is the need for humanity. In the face of the ancient landscape, Canvisit, can live, Calm mood, carefree spirit, Artistic, conception. Take thetour, artistic creation, thought can operate without restriction of time andspace, and into a tranquil nothingness, the spirit within the state, also knownas the "static" state. I said: "Quiet is than worry, To be andclean, as the in the best world better. Very empty, abide by integrity of thecalm. The contents of picture all in the world, I watch these things carefully.things the are." China painting is give pause for art, it is not war, notbloody, not irritable, rarely manifest anxiety. It seeks to quiet to far,harmony between man and nature. This kind of artistic idea stems from Laozi'sthought, does not have the negative positive. The painting is called"special zones" or "outstanding people to see, beautiful",feel it completely jump out, More than the dust of the world, there is novulgar. This has nothing to do with whether or freehand brushwork, theme, genre,form, style is not effect, an effect with saturated spirit. Qiu Ying paintingis good, but can not be called "perfect", is a masterpiece, and somecan be said. The Chen Laolian is "perfect", Badashanren is"perfect", "slightly" and "perfect"". Hispaintings have to be "cut off". Ou Yangxiu B, picture of a carrier."A" Ancient said: "Chinese painting, but painting artisticconception and moral meaning, but do not pay attention to painting shape, Justlike the plum blossom poems chanting, no secrets. If not satisfied the forgottenfew, see poetry such as painting." Can "ecstasy proud" israrely, it is probably, but it is the essence of. C, (Chinese painting) toenhance their own culture, there is a sense of the state, the integrity of thepeople, to enter the Chinese painting. The Chinese painting has the humanitiesrequest to the painter, must "the person", "the article"double repair. For the requirements of the reader must also have a"text", "text" is to enter the threshold of the creationand appreciation of Chinese painting, but also a bridge to communicate theartist and society. D, Chinese painting inspiration To persuade to do good, toincrease knowledge, understand the society, thinking about truth in the life.Confucius said "See the mountains, on the kindness of interests, see thewater thinking wisdom Look at the pictures, of people addicted to China, willbe away from the ugly, brutal and, close to the good situation. Can not reach,but can make people go to. "Education and human achievement" is thesocial function of art. But the biggest "Enlightenment" and"Human relations" is good. E, a traditional China painting fromthought into two, from calligraphy to life, Chinese painter Life is amanifestation weight conservation, of accomplishment. The Chinese painting paysattention to hide, but does not pay attention to reveal, heavy connotation doesnot reveal, this is China's Philosophy. F, look at the painting so that peoplelook like this. Beauty in the skin and the surface, a list of all the rest,after a while, there is no aftertaste; so began to like it and eventually hateit. In beauty, Contains a lot of beautiful, beautiful things, Afford much foodfor thought The picture, is finished, but the contents of the painting theimplication, is profound, memory in the hearts of readers So, at first very;common picture in the understanding of painting artistic conception, meaningfinally, saw its wonderful painting.
古人云:“取法乎上, 得乎其中; 取法乎中, 得乎其下”，故而， 顧紹驊在能力可及的情況下，“取法乎上…”：文學上，熟讀諸子百家之《古文觀止》，鐘愛語文之精萃——詩詞也。敬陶令，太白，摩詰等之灑脫；李煜，柳永，李清照等之委婉；也好東坡，稼軒等之豪放。在書法上崇尚“中和”之美，楷書學歐陽詢，趙孟頫等貼：行書宗“二王”，趙孟頫等貼；草書法錢懷素，孫過庭等；篆書取李冰陽，鄧石如，王福菴等；隸書從曹全，乙瑛等諸碑及劉炳森帖。繪畫上，國畫上喜愛“工秀清新”之貌．花鳥畫師錢行健，張世簡等；人物畫承蔣兆和，劉繼卣，姚有多等；山水畫好宋代（范寬，李唐，劉松年，馬遠，郭熙等）；明代（沈周，唐寅，仇英等），清代（龔賢，袁江，袁耀等）及現(xiàn)代山水大師們（白雪石，張大千，黎雄才，劉海粟，何海霞等）的精品。創(chuàng)作方法：顧紹驊以中國畫的意境來進行“集古句”，從而，以獨特方式——進行“詩情畫意”創(chuàng)作中國畫。其主要特點（創(chuàng)作方法）：是羅列了中國傳統(tǒng)文化經(jīng)典——唐詩宋詞等等，通過依據(jù)畫面意境來進行挑選最適合、最貼切的詩（詞）句，并且，以最能反映畫面意境的要求，進行重新整合、排列達到“經(jīng)典”（再創(chuàng)造的高峰）以達到：一畫一詩一境界。（唐司空圖《詩品·雄渾》所說“返虛入渾（指詩作空靈，入于渾然之境。）”，意即返虛方能入渾。這個“渾（“全部、滿是”之意也）”，而是更高級的無所不包極端復雜之渾。“實”就在眼前一覽無余，最大也是有邊際的，最滿也是有限度的。只有返虛入渾，方能無邊際，其大無外，其小無內(nèi)。如李煜詞句：“問君能有幾多愁？恰是一江春水向東流。”他不實答，卻一下使你面對滔滔東流的大江。如果只是一實，還能有那樣豐富的含義，那樣闊大的境界嗎？詩情畫意是時空的融合，因此，“沒有最好，只有更好”是仁者見仁，智者見智，令欣賞者沒有統(tǒng)一“標準”）
The ancients said:"To the best learning, getthe middle grade; To inferior learning, get low scores", Gu Shaohua in theability to reach the case, "To the best learning, ...": literature,Articles "The Finest of Ancient Prose", Love the essence of language:language short, rich connotation - poetry. Love Tao Yuanming, Li Bai, Wang Weiand other language chic and refined; Like Li Yu, Liu Yong, Li Qingzhao and soon, the language of Euphemism; Also love Su Dongpo, Xin Qiji, the boldlanguage. Calligraphy of the "neutral" beauty, regular script studyOuyang Xun, Zhao Mengfu and other stickers: line book "erwang", ZhaoMengfu and other paste; cursive calligraphy Qian Huai Su, Sun Guo Ting; sealscript take Li Bingyang, Deng Shiru, Lishu from Cao Quan, B Ying and othermonuments and Liu Bingsen posts. Painting, painting on the favorite "freshshow" appearance. (Fan Zhou, Li Tang, Liu Songnian, Ma Yuan, Guo Xi,etc.); the Ming Dynasty (Shen Zhou, Tang Yin, Qiu Ying, etc.); painting andcalligraphy and painting, , The Qing Dynasty (Gong Xian, Yuan Jiang, Yuan Yao,etc.) and modern landscape masters (snow stone, Zhang Daqian, Li Xiongcai, LiuHaisu, He Haixia, etc.) Creation method: Gu Shaohua to poetic Chinese paintingto "Collection ancient sentences", thus, in a unique way - the"poetic Chinese painting" creation of Chinese painting. Its mainfeatures (creation method): is to list the Chinese traditional culture classics- Tang poetry and so on, through the basis of the screen mood to select themost appropriate and most appropriate poem (word) sentence, and, to bestreflect the mood (Re-creation of the peak) in order to achieve: a painting apoetic realm. (Sikong Tu in the Tang Dynasty "Poetry powerful" said"Return to emptiness, into a vague, huge this" fuzzy ("full,full of" meaning "), but more advanced all-inclusive extreme Complexand muddy. "Real" in front of glance, the largest is also marginal,most full is limited. Only return to the muddy muddy, can be boundless, its nooutside, its small no. : "How much sorrow can you ask? Is the YangtzeRiver water to the East." He does not answer the real., But what makes youface the surging East River. If only a real, but also as rich Poetic Chinesepainting is the fusion of time and space, therefore, "benevolent seebenevolence and the wise see wisdom - different people have different views [So that those who appreciate no unified "standard")
藝術品需要藝術家賦予她“生命”，成為有血有肉、有溫度、有激情、有內(nèi)涵、傳播正能量的“個人名片”。顧紹驊作品社會評價：大氣而不失雋秀，灑脫而不失章法；雖詩情畫意陽春白雪，然通俗易懂釋于白話；除盡俗氣而不張牙舞爪，淹沒泛泛而木秀于林……。顧紹驊作品有別于外表華麗（只見技法，不見思想”），沒有“靈魂“的普通國畫作品；
Art needs the artist to give her"life", and has become true to life temperature, passion,connotation, and dissemination of positive energy "personal card". GuShaohua works in social evaluation: and yet the atmosphere Juanxiu, freely andwithout losing the rules; although poetic Chinese painting ran straightawayhighbrow, released to the vernacular; except as vulgar and claws, general andsubmerged wood show in the forest....... Gu Shaohua's works are different fromthe appearance of gorgeous (see techniques, not thinking), there is no"soul" of the traditional Chinese painting works;
初學書畫，必臨古代法帖、古畫，然遵古訓：“擬古，而不拘泥于古法”，中國畫大師齊白石說：“學我者生，似我者死”這些訓誡，是告訴要我們后人搞藝術一定要有自我的風格；不然只是“書奴、畫奴”。至于色彩，中國畫的色彩稱為“隨類賦彩”～而不是西方繪畫的“條件色彩”（條件色彩根據(jù)光源的條件：白天、夜晚，或者某一特定時間；陰、晴、雨、雪天或者某一特定光源等，光線照在物象上，反射的色彩；這種比較客觀、真實色彩稱為條件色彩。）。我欣賞微信好友袁江先生這樣一段話: 我們不能輕信大師的銘訓，因為太沒譜，離生活太遠！更不能聽專家，學者們講“金科玉律”，因為它是一把善良的屠刀，專殺才子！我們應該記住哲人的啟蒙，因為他告訴我們，這個世界一切都是“零”。不管你身在何處，或低層，或高層，只要你還想繼續(xù)往前走，“零”才是你的出發(fā)點！
Beginner painting and calligraphy, ancientpaintings, which shall come, however, as saying: "to study, but notrigidly adhere to the ancient law, master of painting Chinese Qi Baishisaid:" I, I like to die the admonition, is told to us in the arts must beself style; otherwise just Book Slave "slave, painting". As for color,China color painting called "Chinese painting unique conformity to kind inapplying colors" rather than to the western painting "color"(according to the conditions of color light conditions: during the day, night,or a particular time; Yin, sunny, rain, snow or a specific light source. In theimages, the reflection of the objective, true color; the color is calledcolor). I appreciate the words of Mr. Yuan Jiang, a good friend of WeChat: wecan not trust the master's training, because it is too far away from life!Cannot listen to the experts, scholars say "Golden rule and preciousprecept", because it is a good knife, killing wit! We should remember thephilosopher of the enlightenment, because he told us that everything in theworld is zero". No matter where you are, or low, or high, as long as youwant to continue to move forward, "zero" is your starting point!
需要提醒注意的是：中國畫的發(fā)展不能“舍近求遠”，從與中國文化大相徑庭的西方藝術理論中尋找出路是死路。好象中國畫離開了“中西結(jié)合（寫實性）”就無路可走，無法發(fā)展了。其結(jié)果造成了中國畫的發(fā)展不但失去了中國文化的民族性，而且更加迅速地走向窮途末路。需要“詩情畫意”這個中國傳統(tǒng)文化的“主旋律”。顧紹驊以為：“應該是恢復中國畫豐厚的文化底蘊，在此基礎上融化西方繪畫技法——“西風東漸”，形成新的中國畫風貌?！?/span>借央視論壇網(wǎng)友的話來說：（沒有詩情畫意的）中國畫再熱鬧再繽紛也不過是曇花一現(xiàn)?。?/span>
Need to be reminded to note is: thedevelopment of China painting "Seek far and neglect what't lies close athand", from the western theory of art and culture Be quite differentChinese in looking for a way out is dead. It seems that the Chinese paintingleft the "Chinese and Western combination (realism)" no way to go,can not develop. As a result, the development of Chinese painting not only lostChina nationality culture, and more rapidly toward a dead end. Need"poetic Chinese painting" this Chinese traditional culture "themain melody". Gu Shaohua thought: "should be restored China Chinesepainting rich traditional culture, on the basis of the melting of Westernpainting techniques --" the spread of Western influences to the East", the formation of a new style of painting China. CCTV forum users by thewords: (no poetic Chinese painting) Chinese painting and then lively fun isnothing more than A flash in the!!
顧紹驊于2017年1月18日星期三
Gu Shaohua on Wednesday, January 18, 2017
